![]() ![]() Logic provides you with the CAPTURE MIDI RECORDING option where you don’t really need to record enable the track. When you are jamming over a beat that you have produced, for example layering some synth leads, a lot of people get conscious when the track is record enabled and don’t end up playing it properly and miss out on the creative improvisation part of it. All selected note ends will lock to the grid setting you have chosen. Then press OPTION-SHIFT while you’re adjusting. Then click the end of any one MIDI region to adjust the length. For doing this, highlight the notes you want by using the mouse or by pressing COMMAND-A to select everything. Having all notes with the same proper length generally, tightenes the track. Generally while producing your Pads track, Bass track, and chords, we generally want all the notes to be of the same length and not be of different lengths like the one near the end of the bar and the other one beyond the bar. Highlight the MIDI region in your session and open the piano roll. Making all midi notes to the same Length (OPTION-SHIFT holding the end of the MIDI region) We can use the COMMAND-SHIFT-ARROW KEYS (UP & DOWN) to move the midi notes up an octave or down an octave. This can be done easily in Logic Pro X, instead of dragging the midi up an octave. Generally, in modern day music, we find a lot of songs having a 4 or 8 bar BGM repeated twice in 2 octaves. Moving midi notes up an octave (Command-Shift-Arrow keys (up & down) Here are a few Logic Pro X shortcuts/Key commands for efficient and fast production You get to focus more on music than spending time on other things. ![]() ![]() Using these key commands can help you work faster on Logic Pro X and you don’t have to waste time using the mouse and keyboard for doing everything. To assign the commands select each one, press the “Learn by Key Label” button, and then the combination on your Mac's keyboard.There are loads of key commands/ keyboard shortcuts for Logic Pro X. If you've never used or intended to use the older “at region border” commands, then these are excellent choices to borrow from! If you do however use these older commands try using Shift-1, Shift-2, Shift-3, and Shift-4. Press Option-K to open the Key Commands window and in the top right search field, type in “create automation.” You'll see the four new unassigned commands below the older “at region border commands” as shown in the screen shot below. Since these commands are not set by default, let's set them up now. Think of them like snapshot automation, but unlike a traditional snapshot, you're not recalling a saved state, you're simply capturing the parameter's current position as automation. Now you simply use Logic's four new key commands to capture the current position of a track's volume, pan, send and currently visible parameter. Before the new Logic Pro 10.0.7 update, you had to physically draw the points in by hand to do this, or record them live. Sometimes I'll set the filter cutoff on a software instrument to different positions to add animation to a sound. You might use sends on a track that are at different volume positions. Or a sound's panning might be centered on an instrumental section, but panned to one side when the vocals play. For example, a sound in your song might always be a specific volume level on the choruses, but a different level on the verses. When mixing, mastering or producing, sometimes it's easier to place a control point exactly where you want it to be. This great command allows you to capture nearly anything you can twist, slide or press while Logic is playing, but what if you want to be specific about your placement of automation points? Logic Pro 10.0.7's new commands allow you to easily write automation precisely where you need it. One of my favorite methods has always been to use the automation toggle key command Control-Command-A. There are many ways to create automation nodes/control points in Logic Pro X. ![]()
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